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Sunday, March 30, 7:00 pm
Presented By: KCP Presents
Date and Time: 7pm, Sunday, March 30
Location:
Lyndon Institute Auditorium
168 Institute Circle
Lyndon Center, VT
Tickets: $54, $44, $34, $15 | Students free
Ticket prices include sales tax but do not include any applicable fees.
Save 20% when you buy by February 29. Discount is automatically reflected when you choose your seats.
Seniors and Catamount Arts members save $3.00 when ordering in person with ID at the box office.
Houston Ballet II is the exciting young company of acclaimed Houston Ballet, America’s fourth largest company with a 50 year history, a budget of $41.2 million and an endowment of $110.8 million. These stellar young dancers perform internationally – a range of excerpts from great classics like Sleeping Beauty and Coppelia in addition to contemporary works by George Balanchine, John Neumeier, and August Bournonville.
“The other Stanton piece was the 1995 “Blue”, to music by Vivaldi, a mesmerizing balletic romp with fresh twists that used the three movements of the composer’s well-known D-major Guitar Concerto in a logical and straightforward manner. It was marked by boundless flashes of movement: clocklike ensembles and strikingly contrasting solos. The self-assurance of these young dancers was astonishing: These dancers will go far.” – The Independent
Houston Ballet II video
Location:
Lyndon Institute Auditorium
168 Institute Circle
Lyndon Center, VT
Tickets: $54, $44, $34, $15 | Students free
Ticket prices include sales tax but do not include any applicable fees.
Save 20% when you buy by February 29. Discount is automatically reflected when you choose your seats.
Seniors and Catamount Arts members save $3.00 when ordering in person with ID at the box office.
Houston Ballet II is the exciting young company of acclaimed Houston Ballet, America’s fourth largest company with a 50 year history, a budget of $41.2 million and an endowment of $110.8 million. These stellar young dancers perform internationally – a range of excerpts from great classics like Sleeping Beauty and Coppelia in addition to contemporary works by George Balanchine, John Neumeier, and August Bournonville.
“The other Stanton piece was the 1995 “Blue”, to music by Vivaldi, a mesmerizing balletic romp with fresh twists that used the three movements of the composer’s well-known D-major Guitar Concerto in a logical and straightforward manner. It was marked by boundless flashes of movement: clocklike ensembles and strikingly contrasting solos. The self-assurance of these young dancers was astonishing: These dancers will go far.” – The Independent
Houston Ballet II video